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CULTURE

CULTURE

Classic Peking Opera still resonates on silver screen

By Cheng Yuezhu????|????China Daily????|???? Updated: 2025-01-27 07:36

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Peking Opera star Zhang Huoding performs in the film The Kylin Purse. [Photo by Liu Haifa/For China Daily]

Peking Opera master performer Cheng Yanqiu and playwright Weng Ouhong once collaborated in the production of Suo Lin Nang, a bittersweet tale with a happy ending.

The production premiered in 1940 and remains a showpiece of the Cheng style of Peking Opera to this day. Its morals still resonate with audiences today — lending a helping hand to those in need, kindness begets kindness, and girls help girls.

In the story, Xue Xiangling, the daughter of a wealthy family, receives a purse filled with jewels from her mother before her wedding. On the way to the ceremony, a sudden downpour forces her to seek shelter in a pavilion where she meets another bride, Zhao Shouzhen, who is crying over her poverty, so Xue gifts Zhao the purse.

Years later, a flood separates Xue from her family, and she has to work as a maid. She accidentally finds the purse in the house and realizes that the lady of the household is Zhao. Recognizing Xue as her benefactor, Zhao helps her reunite with her family.

Zhang Huoding, Peking Opera artist and representative performer of the Cheng opera style. [Photo provided to China Daily]

For more than three years, Shanghai Film Group, the National Academy of Chinese Theatre Arts, Shanghai Media Group and the Capital Jinghu Arts Research Association worked together to bring the production to the silver screen, along with Zhang Huoding, a renowned Peking Opera artist and representative performer of the Cheng opera style.

The film Suo Lin Nang, or The Kylin Purse, made its Beijing premiere at the China National Film Museum on Dec 27.

"This year marks the 120th anniversary of the birth of Cheng Yanqiu. The Cheng-style influence is profound and the master's thoughts and spirit continue to enlighten future generations," Zhang, also a professor at the National Academy of Chinese Theatre Arts, said at the premiere.

According to her, the film captures the classic stage production through visual storytelling, serving as a tribute to and remembrance of Peking Opera predecessors. "I sincerely hope that the Cheng style continues to thrive and the master's art will endure," she adds.

At the premiere, director Teng Junjie, vice-president of the Shanghai Federation of Literary and Art Circles, said that during the filmmaking process, he was moved by the professionalism and pursuit of excellence demonstrated by the Peking Opera artists.

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